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[MUSE THEORY] [sea horse] 

by dennis hinrichsen

 

 

 

—day long rains // big waves // sea horse // solo //

 

blown in from the reef // that’s the message today

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there is no other elsewhere // just this one

 

so fully loaded w/trauma there must be a muse

 

that governs it // today // rain & sand blown to needles

 

against the gel of the eye—that’s the angularity—

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a cutting as precise as the sea horse is—

 

my body turned inside out w/looking—as its eyes are—

 

water for sand // it has seen things // —O

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exoskeleton knitted w/flesh // little wing on your back //

 

you are wreckage plastic now // muse of eating

 

& being (eaten) // birthed as you are out of the belly

 

by the thousands—a gut-blast (as I was) (still am)—

 

a speck of skin & a little code in a sea of plankton

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Dennis Hinrichsen is the winner of Grid Poetry Prize for 2020 for his collection This Is Where I Live I Have Nowhere Else To Go which will appear later in the fall. His most recent work is is [q / lear], a chapbook from Green Linden Press, and Skin Music, winner of the 2014 Michael Waters Poetry Prize from Southern Indiana Review Press. His previous books include Rip-tooth (2010 Tampa Poetry Prize), Kurosawa’s Dog (2008 FIELD Poetry Prize), and Detail from The Garden of Earthly Delights (1999 Akron Poetry Prize). His other awards include the 2015 Rachel Wetzsteon Chapbook Prize from Map Literary for Electrocution, A Partial History as well as the 2016 Third Coast Poetry Prize and a 2014 Best of the Net Award. From May 2017 - April 2019, he served as the first Poet Laureate of the Greater Lansing [MI] area.

© 2004-2025 All Rights Reserved. American Poetry Journal

ISSN: 2578-0670

The American Poetry Journal (APJ) is back and online only for now! Theresa Senato Edwards has taken over the reins as of April 21, 2025. Unfortunately, Theresa did not get much info on past submissions, except that all submissions were responded to. She queried about the anthology, chapbook, full-length submissions, and any upcoming online issues; but the same response was given to her: that all submissions were responded to. Theresa was not able to obtain access to the old APJ Submittable account either. She requested access but was told that the APJ Submittable account was unavailable. Theresa was not a part of the mess that transpired from 2022 to 2024, approximately. And she is sorry that she doesn't have additional news about much of the past submissions as well as submission fees. She asked for financial statements but was not given any. For now the website has been updated with issue and review archives, and we will go from there. Theresa apologizes that she doesn't have more to share and hopes that all her literary citizenship and fine literary reputation over the years will help APJ move positively forward, despite all the disappointment. Theresa will try her best to regain APJ's transparency, passion, and commitment to poets and poetry.​

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