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WHERE SHOULD THE BIRDS FLY AFTER THE LAST SKY?

by janlori goldman

​

Mahmoud Darwish, 1941-2008

 

 

On the road to Nablus I think of you,

   your wrecked heart blooming

 

on rocky hills, a horse’s shadow alone

   in a field. Anemones spread

 

in resolute red— in warning or

   welcome it’s too early to say.

 

A candy store pocked with bullet holes

   churns with cement mixers,

 

makeshift machines coating almonds

   in sweet liquid. The shopkeeper says,

 

Taste this after all you see. In a season

   of unripe things, I bite into green almonds,

 

taxi to the mountain top to watch the village

   long in the valley. Gusts of pigeons

 

blow against stone— all I have been taught

   smacks against the rockface.

 

As a child in synagogue I fit a quarter

   into a cardboard slot to plant a tree

 

in Israel, millions of coins

   now tangled roots reaching

 

for each other in the underworld

   that knows nothing of walls.

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Janlori Goldman’s first full-length book,  Bread from a Stranger’s Oven, was chosen by Laure-Anne Bosselaar for the White Pine Press Poetry Prize (2016). Toadlily Press published her chapbook, Akhmatova’s Egg (2013). Gerald Stern chose her poem ‘At the Cubbyhole Bar’ for the Raynes Prize. Janlori co-founded The Wide Shore: A Journal of Global Women’s Poetry, www.thewideshore.org, and worked with Paris Press on the joint publication of Virginia Woolf's On Being Ill with Notes from Sick Rooms, written by Woolf’s mother, Julia Stephen. Janlori teaches human rights, works at the Center for Justice, and volunteers as a writing mentor for people with cancer. She received an MFA from Sarah Lawrence College.

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ISSN: 2578-0670

The American Poetry Journal (APJ) is back and online only for now! Theresa Senato Edwards has taken over the reins as of April 21, 2025. Unfortunately, Theresa did not get much info on past submissions, except that all submissions were responded to. She queried about the anthology, chapbook, full-length submissions, and any upcoming online issues; but the same response was given to her: that all submissions were responded to. Theresa was not able to obtain access to the old APJ Submittable account either. She requested access but was told that the APJ Submittable account was unavailable. Theresa was not a part of the mess that transpired from 2022 to 2024, approximately. And she is sorry that she doesn't have additional news about much of the past submissions as well as submission fees. She asked for financial statements but was not given any. For now the website has been updated with issue and review archives, and we will go from there. Theresa apologizes that she doesn't have more to share and hopes that all her literary citizenship and fine literary reputation over the years will help APJ move positively forward, despite all the disappointment. Theresa will try her best to regain APJ's transparency, passion, and commitment to poets and poetry.​

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