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The Scare Car

By Mary Moore

 

Dream stole the car from

the baby-come-home photo—

 

Mom getting out, turned slightly

showing the good gams—

 

Mom, the Bombshell,

Dad would say—and me

 

bundled in her

arms and pink flannel.

 

The car is black like the crow

of scare, like the coal

 

Grandpa brought me

to show what bad earned.

 

 

Over and over, Dream stages me

in my red-brown striped

 

little-girl T—I’m four or five—

toeing the curb near the black

 

car. It rolls forward,

driverless,

 

and catches fire—No Body or God

or Mom torched it—

 

the flames leap and writhe,

tongues and knives

 

dividing into more,

as in the holy-card

 

purgatory Dad gave me:

the Virgin Mary

 

wears a red-brown cloak,

color of old wounds,

 

of penitence,

and perches above the sinners,

 

their arms and hands

flesh-flames, waving.

 

 

The dream seers say I am everyone

in the dream—me, Mom,

 

the scare car, and the damned

hands reaching up in flames.

 

And every time,

the Mom who is me

 

pushes me down curb

toward the car-fire hell

 

and I fall—some nights, I wake

face up, floored.

 

 

As fire is to ire and burn

to urn, I can’t rhyme

 

you out of me, Dream.

I’m fallen; Mom’s felon

 

or vice versa. And who’s

wounder, who’s wound?

 

 

The wonder is I’m not

char, cinder, ghost-writer,

 

ghost-writher,

barely holding form,

 

a murmuration,

barely woman.

The Scare Car - Mary Moore
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Mary B. Moore’s Amanda Chimera won the Arthur Smith Prize and came out January 2025, Madville Publishing. Prior full-length books are Dear If, Flicker, and Book of Snow. She has two prize-winning chapbooks. Her poetry appears in POETRY, New Letters, and Birmingham Poetry Review. A former professor, she’s retired into writing.

© 2004-2026 All Rights Reserved. American Poetry Journal

ISSN: 2578-0670

The American Poetry Journal (APJ) is back and online only! Theresa Senato Edwards has taken over the reins as of April 21, 2025. Unfortunately, Theresa did not get much info on past submissions, except that all submissions were responded to. She queried about the anthology, chapbook, full-length submissions, and any upcoming online issues; but the same response was given to her: that all submissions were responded to. Theresa was not able to obtain access to the old APJ Submittable account either. She requested access but was told that the APJ Submittable account was unavailable. Theresa was not a part of the mess that transpired from 2022 to 2024, approximately. And she is sorry that she doesn't have additional news about much of the past submissions as well as submission fees. She asked for financial statements but was not given any. For now the website has been updated with issue and review archives, and we will go from there. Theresa apologizes that she doesn't have more to share and hopes that all her literary citizenship and fine literary reputation over the years will help APJ move positively forward, despite all the disappointment. Theresa will try her best to regain APJ's transparency, passion, and commitment to poets and poetry.​

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