The Scare Car
By Mary Moore
Dream stole the car from
the baby-come-home photo—
Mom getting out, turned slightly
showing the good gams—
Mom, the Bombshell,
Dad would say—and me
bundled in her
arms and pink flannel.
The car is black like the crow
of scare, like the coal
Grandpa brought me
to show what bad earned.
Over and over, Dream stages me
in my red-brown striped
little-girl T—I’m four or five—
toeing the curb near the black
car. It rolls forward,
driverless,
and catches fire—No Body or God
or Mom torched it—
the flames leap and writhe,
tongues and knives
dividing into more,
as in the holy-card
purgatory Dad gave me:
the Virgin Mary
wears a red-brown cloak,
color of old wounds,
of penitence,
and perches above the sinners,
their arms and hands
flesh-flames, waving.
The dream seers say I am everyone
in the dream—me, Mom,
the scare car, and the damned
hands reaching up in flames.
And every time,
the Mom who is me
pushes me down curb
toward the car-fire hell
and I fall—some nights, I wake
face up, floored.
As fire is to ire and burn
to urn, I can’t rhyme
you out of me, Dream.
I’m fallen; Mom’s felon
or vice versa. And who’s
wounder, who’s wound?
The wonder is I’m not
char, cinder, ghost-writer,
ghost-writher,
barely holding form,
a murmuration,
barely woman.
Mary B. Moore’s Amanda Chimera won the Arthur Smith Prize and came out January 2025, Madville Publishing. Prior full-length books are Dear If, Flicker, and Book of Snow. She has two prize-winning chapbooks. Her poetry appears in POETRY, New Letters, and Birmingham Poetry Review. A former professor, she’s retired into writing.
