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IT'S NOT SCARY AT ALL IT'S MOSTLY BEAUTIFUL

by ben clark and dana mckenna

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as invisible hands

take turns

 

tucking in the loose

ends of day.

 

My own,

I commit

 

to cleaning

another mess

 

I made, and told

you to leave alone.

 

Every time I sweep

there’s somehow

 

a thin skin

of sand on the floor.

 

What sort of

routine is this?

 

You dive into

the new city

 

like you already know

what lies below

 

the surface, how

deep the bottom.

 

I lick apricot jam

from a spoon,

 

sip from an

empty mug,

 

the motion what’s

most important.

 

I take three baths

a day, wonder

 

if the neighbors

can hear the faucet

 

shudder when I fill

the tub again.

 

After hours apart

you ask, want to look

 

at the lake and

just sit with me?

 

Not ready

to respond,

 

I try again

to beckon

 

both wolves

with open palms,

 

enough food

to feed us all.

Dana McKenna and Ben Clark currently live in Minneapolis, Minnesota, and have collaborated on over fifty poems together.

© 2004-2025 All Rights Reserved. American Poetry Journal

The American Poetry Journal (APJ) is back and online only for now! Theresa Senato Edwards has taken over the reins as of April 21, 2025. Unfortunately, Theresa did not get much info on past submissions, except that all submissions were responded to. She queried about the anthology, chapbook, full-length submissions, and any upcoming online issues; but the same response was given to her: that all submissions were responded to. Theresa was not able to obtain access to the old APJ Submittable account either. She requested access but was told that the APJ Submittable account was unavailable. Theresa was not a part of the mess that transpired from 2022 to 2024, approximately. And she is sorry that she doesn't have additional news about much of the past submissions as well as submission fees. She asked for financial statements but was not given any. For now the website has been updated with issue and review archives, and we will go from there. Theresa apologizes that she doesn't have more to share and hopes that all her literary citizenship and fine literary reputation over the years will help APJ move positively forward, despite all the disappointment. Theresa will try her best to regain APJ's transparency, passion, and commitment to poets and poetry.​

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