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I Was Tender Before I Was Trouble

By Kabal Briar

                 

I was tender before I had a reason.
Before the room made a courtroom of my laugh.
Before somebody looked at my wrist

like it had testified against me.

 

I was a boy with too much weather.

A little storm in church shoes.
A child who could feel grown folks go cold

before anybody changed their voice.
 

They called it dramatic.
They called it sensitive.
They called it doing too much.

 

But I was detecting.
I was becoming fluent

in the language of doors.
 

Every house has a hinge.

Every family has a volume.
Every child learns what sound gets fed

and what sound gets sent outside.

 

I learned early.
Smile first.
Apologize fast.
Make a joke if the air gets teeth.

Still, under all that training,

something soft kept breathing.

A little lavender animal.
A porch light with a pulse.
A boy nobody had permission to bury.


 

I Was Tender Befire I Was Trouble - Kabal Briar
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Kabal Briar is a queer Black femme writer, poet, educator, and storyteller from Erin, Tennessee, now based in the Pacific Northwest. His work explores voice, body, race, softness, Southern memory, queerness, and survival. He is the author of MOUTHY, a hybrid poetry and lyrical nonfiction collection.

© 2004-2026 All Rights Reserved. American Poetry Journal

ISSN: 2578-0670

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The American Poetry Journal (APJ) is back and online only! Theresa Senato Edwards has taken over the reins as of April 21, 2025. Unfortunately, Theresa did not get much info on past submissions, except that all submissions were responded to. She queried about the anthology, chapbook, full-length submissions, and any upcoming online issues; but the same response was given to her: that all submissions were responded to. Theresa was not able to obtain access to the old APJ Submittable account either. She requested access but was told that the APJ Submittable account was unavailable. Theresa was not a part of the mess that transpired from 2022 to 2024, approximately. And she is sorry that she doesn't have additional news about much of the past submissions as well as submission fees. She asked for financial statements but was not given any. For now the website has been updated with issue and review archives, and we will go from there. Theresa apologizes that she doesn't have more to share and hopes that all her literary citizenship and fine literary reputation over the years will help APJ move positively forward, despite all the disappointment. Theresa will try her best to regain APJ's transparency, passion, and commitment to poets and poetry.​

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