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Wild Rice and Heron

By Jim Tilley​

 

You recognize a swamp when you find yourself in one,

not by the skunk cabbage, the barely moving water,

the trees that have chosen to put down their roots

in this place, not even by the delicate ferns thriving

in the shade on the gently sloping banks rising from

the central creek or stream or brook, whatever it’s called,

 

but the circumstance from which you can’t paddle your

way out, a situation you can’t leave, yet can’t stay in.

You find yourself slogging through muck, even along

marked trails, because someone forgot to build planked

platforms to navigate from one dry patch to the next,

you having to do that yourself day by day. The wetlands

 

are too wet, but not wet enough to float the canoe you

are willing to make to extricate yourself. After all, it’s

a swamp, not a marsh you could abide with its body

of water nearby that’s not murky—river, lake, or pond.

Low-lying flora—pink honeysuckle, yellow flag iris,

reeds and wild rice—and fauna to keep you company,

 

not just those long, thin, black water snakes that bite.

You might spot baffled beavers going about their work

toppling young birches for their house, rows of painted

turtles sunning themselves on logs. Gulls, red-winged

blackbirds, purple martins, and if you’re lucky, a white

crane or great blue heron lurking among the grasses.

Wild Rice and Heron - Jim Tilley
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Jim Tilley has published four full-length collections of poetry and a novel with Red Hen Press. His short memoir, The Elegant Solution, was published as a Ploughshares Solo. He has won Sycamore Review’s Wabash Prize for Poetry. Five of his poems have been nominated for a Pushcart Prize.

© 2004-2025 All Rights Reserved. American Poetry Journal

ISSN: 2578-0670

The American Poetry Journal (APJ) is back and online only for now! Theresa Senato Edwards has taken over the reins as of April 21, 2025. Unfortunately, Theresa did not get much info on past submissions, except that all submissions were responded to. She queried about the anthology, chapbook, full-length submissions, and any upcoming online issues; but the same response was given to her: that all submissions were responded to. Theresa was not able to obtain access to the old APJ Submittable account either. She requested access but was told that the APJ Submittable account was unavailable. Theresa was not a part of the mess that transpired from 2022 to 2024, approximately. And she is sorry that she doesn't have additional news about much of the past submissions as well as submission fees. She asked for financial statements but was not given any. For now the website has been updated with issue and review archives, and we will go from there. Theresa apologizes that she doesn't have more to share and hopes that all her literary citizenship and fine literary reputation over the years will help APJ move positively forward, despite all the disappointment. Theresa will try her best to regain APJ's transparency, passion, and commitment to poets and poetry.​

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