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The Faceplant

By Sonia Greenfield

                 

I can go almost every day without dialing

into my animal self but there it is again:

 

the faceplant. My toddler running toward

me and his little shoe catching a tree root.

 

How his mouth hit the cement bench

with a crunch like a sledgehammer against

 

watermelon. This is the animal part: the howl

from my mouth so guttural, as if my womb

 

screamed and O, he cried too. All his baby teeth

smashed in and blood trickling from his split lip.

 

My face, though…that was a picture of terror

so instinctual it could hang in a museum among

 

the many renderings of human woe. I scooped all

fifty pounds of him and ran to my car, superpowered

 

by anguish and adrenaline. The plastic surgeon

stitched him with sutures fine as eyelashes, bent his

 

teeth back into place where they stayed until

the tooth fairy came. Two days after the ER,

 

I sneezed and fell to the floor as if birthing broken

glass from my spine. Amazing the many ways we can

 

manifest pain, I thought, as I laid there unable

to move. I can go almost every day without conjuring

 

the specter of Freud who theorized the severing

of mother from son, but once upon an oedipal stage

 

I was feral and ready to sacrifice my entire self

to save my baby who now deems me annoying

 

and dubs me bruh, his snark slipping through

perfectly straight teeth.

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The Faceplant - Sonia Greenfield
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Sonia Greenfield (she/they) is the author of Helen of Troy is High AF, All Possible Histories, and Letdown. A 2024 McKnight Fellow, she lives with her family in Minneapolis where she teaches at Normandale College and edits the Rise Up Review. More at soniagreenfield.com.

© 2004-2025 All Rights Reserved. American Poetry Journal

ISSN: 2578-0670

The American Poetry Journal (APJ) is back and online only for now! Theresa Senato Edwards has taken over the reins as of April 21, 2025. Unfortunately, Theresa did not get much info on past submissions, except that all submissions were responded to. She queried about the anthology, chapbook, full-length submissions, and any upcoming online issues; but the same response was given to her: that all submissions were responded to. Theresa was not able to obtain access to the old APJ Submittable account either. She requested access but was told that the APJ Submittable account was unavailable. Theresa was not a part of the mess that transpired from 2022 to 2024, approximately. And she is sorry that she doesn't have additional news about much of the past submissions as well as submission fees. She asked for financial statements but was not given any. For now the website has been updated with issue and review archives, and we will go from there. Theresa apologizes that she doesn't have more to share and hopes that all her literary citizenship and fine literary reputation over the years will help APJ move positively forward, despite all the disappointment. Theresa will try her best to regain APJ's transparency, passion, and commitment to poets and poetry.​

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