The Faceplant
By Sonia Greenfield
I can go almost every day without dialing
into my animal self but there it is again:
the faceplant. My toddler running toward
me and his little shoe catching a tree root.
How his mouth hit the cement bench
with a crunch like a sledgehammer against
watermelon. This is the animal part: the howl
from my mouth so guttural, as if my womb
screamed and O, he cried too. All his baby teeth
smashed in and blood trickling from his split lip.
My face, though…that was a picture of terror
so instinctual it could hang in a museum among
the many renderings of human woe. I scooped all
fifty pounds of him and ran to my car, superpowered
by anguish and adrenaline. The plastic surgeon
stitched him with sutures fine as eyelashes, bent his
teeth back into place where they stayed until
the tooth fairy came. Two days after the ER,
I sneezed and fell to the floor as if birthing broken
glass from my spine. Amazing the many ways we can
manifest pain, I thought, as I laid there unable
to move. I can go almost every day without conjuring
the specter of Freud who theorized the severing
of mother from son, but once upon an oedipal stage
I was feral and ready to sacrifice my entire self
to save my baby who now deems me annoying
and dubs me bruh, his snark slipping through
perfectly straight teeth.
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Sonia Greenfield (she/they) is the author of Helen of Troy is High AF, All Possible Histories, and Letdown. A 2024 McKnight Fellow, she lives with her family in Minneapolis where she teaches at Normandale College and edits the Rise Up Review. More at soniagreenfield.com.