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The Beauty of Dissolving Portraits

By Connor Stratton

                 After Ambrose Akinmusire’s song with the same title

 

Like an orchestra tuning:

testing how tight our boots

 

for the mountaintop, for ashes,

dying at the end of the movie,

 

the face close-up, dissolving.

Can you hear how sad this music

 

makes me? The wild grass

violas, the prairie cellos,

 

the flute whistling my eye

to the fire lookout station,

 

where a trumpet—as if muted

by a boot—is the closest

 

you’ll ever get, the way

descending into a landscape

 

dissolves it. We hang

the breathless mouthpiece

 

from our rearview. We use

a bootlace. When the brass

 

blooms into a yellow bell,

we resolve always into silence.

​

The Beauty of Dissolving Portraits - Connor Stratton
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Connor Stratton holds an MFA in poetry from the University of Minnesota. He cohosted the poetry podcast Close Talking, which featured Noor Hindi, Michael Kleber-Diggs, Tara Betts, and others. His poetry and reviews have appeared in DIAGRAM, Full Stop, Rogue Agent, and Everyday Genius, among others.

© 2004-2025 All Rights Reserved. American Poetry Journal

ISSN: 2578-0670

The American Poetry Journal (APJ) is back and online only for now! Theresa Senato Edwards has taken over the reins as of April 21, 2025. Unfortunately, Theresa did not get much info on past submissions, except that all submissions were responded to. She queried about the anthology, chapbook, full-length submissions, and any upcoming online issues; but the same response was given to her: that all submissions were responded to. Theresa was not able to obtain access to the old APJ Submittable account either. She requested access but was told that the APJ Submittable account was unavailable. Theresa was not a part of the mess that transpired from 2022 to 2024, approximately. And she is sorry that she doesn't have additional news about much of the past submissions as well as submission fees. She asked for financial statements but was not given any. For now the website has been updated with issue and review archives, and we will go from there. Theresa apologizes that she doesn't have more to share and hopes that all her literary citizenship and fine literary reputation over the years will help APJ move positively forward, despite all the disappointment. Theresa will try her best to regain APJ's transparency, passion, and commitment to poets and poetry.​

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