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← the animal that adapts to burning houses →

                             for SNCC & Dr. King

by trace depass

 

 

The corners of a hypercube discern Birmingham from all the SouthSides & edges

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meet, whereat I have no concern, even less so in the collapse of years over spine.

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Guiltless today I ate of a swine which might consume any black thing, maybe just me

 

given time. There is no metaphor these days for the -- let’s name it -- “love” of human’s cheese.

 

There is no human cheese. There is a calf violently yanked for wannabe calf’s milk

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whereover RAM would watch, like a shepherd, sheep. There ain't no individual human

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in an Adidas line, a stock exchange, but there could be one steering all of this RAM.

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Is there then an individual behind this poem? Can there ever just be one?

 

Habakkuk laments. Jesus wept. The old man splits the seas, yanks their animals dry &

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into branded new names. The young dude was an assailant whose face keeps colonizing

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scrolls of my IG story. Sound pollution as vivid on my timeline as it is

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the air, in the ocean. There are no excuses. I'm too colonized to mind really

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the role as an animal I play with other animals. With human/animals

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I di(v)e in love with cuttlefish & thought i(?) cuttlefish could name you → each part of you →

© 2004-2025 All Rights Reserved. American Poetry Journal

ISSN: 2578-0670

The American Poetry Journal (APJ) is back and online only for now! Theresa Senato Edwards has taken over the reins as of April 21, 2025. Unfortunately, Theresa did not get much info on past submissions, except that all submissions were responded to. She queried about the anthology, chapbook, full-length submissions, and any upcoming online issues; but the same response was given to her: that all submissions were responded to. Theresa was not able to obtain access to the old APJ Submittable account either. She requested access but was told that the APJ Submittable account was unavailable. Theresa was not a part of the mess that transpired from 2022 to 2024, approximately. And she is sorry that she doesn't have additional news about much of the past submissions as well as submission fees. She asked for financial statements but was not given any. For now the website has been updated with issue and review archives, and we will go from there. Theresa apologizes that she doesn't have more to share and hopes that all her literary citizenship and fine literary reputation over the years will help APJ move positively forward, despite all the disappointment. Theresa will try her best to regain APJ's transparency, passion, and commitment to poets and poetry.​

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