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Midwest Nice: A Template

By Laura Bandy

​

Start with a child lost in the corn.

She didn't listen when they said, "Stay put."

 

The stalks are tall and rustling, the green

seemed inviting at first, but she is small,

 

can't see over the delicate tops that flutter

like golden silk, like threads tugged loose

 

from her Sunday best dress. The sun, so high

and friendly before, winking her into the field,

 

has dropped, has stopped warming her bare

arms: she shivers a little as a breeze blows dust

 

between the rows. She knows she shouldn't be

here, knows the grownups will be angry, knows

 

so many things she's not supposed to know. How

drought hurt the crops, "That's when the rain

 

just stops," her cousin said, "and then the roots

are thirsty all the time." No one talks at dinner

 

anymore, and mother's mouth a pencil line. Maybe

she will just drop down and wait, pretend hide

 

and seek was the game she was playing all along.

She draws hearts in the dirt and practices her

 

name, but the R is hard; always backwards, wrong. When

they find her later that night, her father's flashlight

 

bobbing between the rows like a small cold moon,

the name is gone, wiped clean by a good girl's hand.

​

Midwest Nice: A Template - Laura Bandy
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Laura Bandy has work currently/forthcoming in Action/Spectacle, Bennington Review, Beloit Poetry Journal, SWEET: A Literary Confection, RHINO, and AUTOCORRECT. Her chapbook, HACK, was published by Dancing Girl Press in 2021, and her full collection, MONSTER MOVIE, was published by Gold Wake Press in 2023. She is SUCH a Virgo.

© 2004-2025 All Rights Reserved. American Poetry Journal

ISSN: 2578-0670

The American Poetry Journal (APJ) is back and online only for now! Theresa Senato Edwards has taken over the reins as of April 21, 2025. Unfortunately, Theresa did not get much info on past submissions, except that all submissions were responded to. She queried about the anthology, chapbook, full-length submissions, and any upcoming online issues; but the same response was given to her: that all submissions were responded to. Theresa was not able to obtain access to the old APJ Submittable account either. She requested access but was told that the APJ Submittable account was unavailable. Theresa was not a part of the mess that transpired from 2022 to 2024, approximately. And she is sorry that she doesn't have additional news about much of the past submissions as well as submission fees. She asked for financial statements but was not given any. For now the website has been updated with issue and review archives, and we will go from there. Theresa apologizes that she doesn't have more to share and hopes that all her literary citizenship and fine literary reputation over the years will help APJ move positively forward, despite all the disappointment. Theresa will try her best to regain APJ's transparency, passion, and commitment to poets and poetry.​

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