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YOURS TRULY, EXPANSION

by cheryl clark vermeulen

 

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When Rauschenberg asked de Kooning for one of his paintings to erase, de Kooning said, “I want it to be something I’ll miss.”

 

 

When extraction is dressed up in yours truly, expansion,

one by one (bear with me) little envelopes of twisted muscles

 

flew out of my body and I watched

their gesticulations autographing the air.

 

You are strangers my lips move, I said, a sentinel

tracing the signatures

 

absorbing them. I made difficult—pretty routine.

 

Near a meadow, there’s a sign: Do Not Mow.

A meadow makes room for butterflies.

 

Tell me the difference between field and meadow.

Emergency and its antonym.

 

You could have fainted, my love later said.

 

You are strangers my lips move, I said again and again—

words, hundreds, more. Later at the market

 

a woman was selling honey. She pointed to herself

in a beekeeper suit. That’s me, she said.

 

Why should I believe her? And who was she there?

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Cheryl Clark Vermeulen, a Midwesterner at heart, has lived in Massachusetts since 1998. Her chapbooks include This Paper Lantern (Dancing Girl Press) and Dead-Eye Spring (Cy Gist Press). She earned an M.F.A. from the University of Iowa Writers’ Workshop after working in non-profit organizations. She is an Assistant Professor in Liberal Arts at Massachusetts College of Art and Design, Poetry Editor at Pangyrus, and mother of twin boys.

© 2004-2025 All Rights Reserved. American Poetry Journal

ISSN: 2578-0670

The American Poetry Journal (APJ) is back and online only for now! Theresa Senato Edwards has taken over the reins as of April 21, 2025. Unfortunately, Theresa did not get much info on past submissions, except that all submissions were responded to. She queried about the anthology, chapbook, full-length submissions, and any upcoming online issues; but the same response was given to her: that all submissions were responded to. Theresa was not able to obtain access to the old APJ Submittable account either. She requested access but was told that the APJ Submittable account was unavailable. Theresa was not a part of the mess that transpired from 2022 to 2024, approximately. And she is sorry that she doesn't have additional news about much of the past submissions as well as submission fees. She asked for financial statements but was not given any. For now the website has been updated with issue and review archives, and we will go from there. Theresa apologizes that she doesn't have more to share and hopes that all her literary citizenship and fine literary reputation over the years will help APJ move positively forward, despite all the disappointment. Theresa will try her best to regain APJ's transparency, passion, and commitment to poets and poetry.​

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